More than Instinct

Tea: Mandarin Green

Music: Brookville, "Golden"

Time: Night.

Bear with me here. I might not get all the way around to anything resembling a point. I'm circling, as a friend says, toward something.

I've been rereading Diane Ackerman's A Natural History of the Senses of late. I've also been, as ever, listening to a good deal of music and viewing a huge amount of art (including one installation which combined prints on rice paper with the scent of sixty pounds of loose-leaf jasmine tea, adding another sense to the mix).

And it's got me wondering how much biology has to do with our appreciation of -- and emotional responses to -- art.

The sadness inherent in minor keys, I can comprehend. A friend of mine once observed that life sings in a minor key, and life is a fragile and (physically) finite thing.

I understand the links between red and violent emotion. Your opponent/prey is bleeding, and it's up to you to keep that gusher going until (a) the threat is ended or (b) dinner is served. (There might be more than one "and" in there. I prefer not to think about that too much.)

And I get that the ba-dump, ba-dump, ba-dump of a blues shuffle echoes the heartbeat.

But is that really all there is to it? Is it only our DNA, some trace race memory encoded in the genome, that makes the heart soar with the Bach-Gounod Ave Maria or causes us to shudder at Munch's The Scream? Why do Buson's haiku slip tiny needles into our memory centers, making us sure we should remember the scenes he describes?

Maybe there is. I'm sure there's a wealth of research on the subject (and on the subjects), all of it beyond my powers of comprehension.

But at heart (and call this blind faith if you will), I don't believe it's purely physical. I believe we're made -- fashioned -- with a spiritual bent toward beauty, toward harmony -- and yes, toward joy.

Art doesn't have to include all or even any of those elements, obviously. Sometimes, for the sake of a greater good, we must be shown what upsets, even repels us. A Modest Proposal is hardly beautiful, joyful or harmonious. Neither is Guernica. But our response to them -- horror at the effects of modern warfare, shocked compassion for starving children -- reinforce our humanity.

We are our DNA, yes. But we're more than that. We're body, mind, spirit, each resonating to its own frequency. And when those frequencies harmonize ... that's where art lives.

The Crunch of Loose Leaves Underfoot

Tea: Christmas

Music: Stevie Ray Vaughan and Double Trouble, "Pride and Joy"

Time: Night.

I walked on some perfectly good jasmine tea tonight, and I didn't get in trouble.

The tea is an integral part of printmaker Heinrich Toh's exhibit at the Kansas City Artists Coalition. (It runs through Jan. 16, so go see it. No, I'm not explaining why I didn't get in trouble for stepping on the tea. Some things you have to check out for yourselves.)

The scent is still with me, in memory as much as in the physical sense.

I associate jasmine with the first time I discovered loose-leaf tea (I was eight) ... with the Hong Kong Restaurant (which no longer exists) in my hometown ... with an early spring visit to Arizona ... and now, with one of the many artists whose work enriches my current home city.

Not a bad set of associations, that ...

All Treats, No Tricks

Tea: Vanilla Jasmine

Music: King Crimson, "The Devil's Triangle"

Time: Night.

Mmmm ... jasmine.

Give readers a link to a story, you scare them for a night. Give readers a link to the whole site, you scare them for a lifetime.

So, here you go. Happy Halloweirdness.