Book Return

Tea: Vanilla Jasmine

Music: REM, "Driver 8"

Time: Night.

I think I have a poltergeist. It loves books. Either that, or it decided I was reading too many at one time and should focus my efforts.

See, I have a copy of Christopher Moore's A Dirty Job. I've been reading it, Neil Gaiman and Terry Pratchett's Good Omens and Diane Ackerman's A Natural History of the Senses. Yes, concurrently. If I don't have at least two books going at once, I feel something's wrong.

The poltergeist apparently doesn't mind if I have one fiction and one nonfiction piece on my plate at once, because it left me the Ackerman. I'm guessing it decided two whacked-out novels with Death as a character was just too much.

I finished the Pratchett/Gaiman last night. So, of course, the Moore reappeared today. I wonder what would happen if I took up Coyote Blue (also by Moore) while continuing to read A Dirty Job?

Then again ... maybe I don't want to know.

More than Instinct

Tea: Mandarin Green

Music: Brookville, "Golden"

Time: Night.

Bear with me here. I might not get all the way around to anything resembling a point. I'm circling, as a friend says, toward something.

I've been rereading Diane Ackerman's A Natural History of the Senses of late. I've also been, as ever, listening to a good deal of music and viewing a huge amount of art (including one installation which combined prints on rice paper with the scent of sixty pounds of loose-leaf jasmine tea, adding another sense to the mix).

And it's got me wondering how much biology has to do with our appreciation of -- and emotional responses to -- art.

The sadness inherent in minor keys, I can comprehend. A friend of mine once observed that life sings in a minor key, and life is a fragile and (physically) finite thing.

I understand the links between red and violent emotion. Your opponent/prey is bleeding, and it's up to you to keep that gusher going until (a) the threat is ended or (b) dinner is served. (There might be more than one "and" in there. I prefer not to think about that too much.)

And I get that the ba-dump, ba-dump, ba-dump of a blues shuffle echoes the heartbeat.

But is that really all there is to it? Is it only our DNA, some trace race memory encoded in the genome, that makes the heart soar with the Bach-Gounod Ave Maria or causes us to shudder at Munch's The Scream? Why do Buson's haiku slip tiny needles into our memory centers, making us sure we should remember the scenes he describes?

Maybe there is. I'm sure there's a wealth of research on the subject (and on the subjects), all of it beyond my powers of comprehension.

But at heart (and call this blind faith if you will), I don't believe it's purely physical. I believe we're made -- fashioned -- with a spiritual bent toward beauty, toward harmony -- and yes, toward joy.

Art doesn't have to include all or even any of those elements, obviously. Sometimes, for the sake of a greater good, we must be shown what upsets, even repels us. A Modest Proposal is hardly beautiful, joyful or harmonious. Neither is Guernica. But our response to them -- horror at the effects of modern warfare, shocked compassion for starving children -- reinforce our humanity.

We are our DNA, yes. But we're more than that. We're body, mind, spirit, each resonating to its own frequency. And when those frequencies harmonize ... that's where art lives.

Plotjuggling

Tea: Vanilla Lapsang

Music: Switchfoot, "Gone"

Time: Night.

I go through periods, periodically, where I find myself immersed in more than one book at once.

Come tomorrow, I may be up to three. By the end of the week, it could be four.

The other day, I misplaced my copy of Good Omens by Terry Pratchett and Neil Gaiman. (It went missing at a critical time in the plot, too. Frustrating.) So I picked up John Knowles' A Separate Peace, which two of the kids have already read and which I started a few weeks back but had let lapse.

Finished Knowles. Still no sign of Pratchett/Gaiman. So I started in on Christopher Moore's A Dirty Job (yep, one of the Barnes and Noble Christmas books). It's utterly engrossing (see also hilarious, touching, menacing and brilliantly written) -- so, of course, once Moore had his latest hook in me, Good Omens turned up.

At about the same time, I found another mislaid book: Darryl Tippens' Pilgrim Heart: The Way of Jesus in Everyday Life, which was loaned to me by a friend. I need to read and return it. So it could wind up going on tomorrow's church trip with me.

I also want to return to a long-distance shared reading of Diane Ackerman's A Natural History of the Senses, which likely will resume on New Year's Day. There will be, of course, some rereading required to catch up.

I tell people "Words are my life." This verges on the ridiculous ... but it's a pretty good sort of ridiculous.