Engage Ears, Disengage Thumbs

Tea: Blood Orange

Music: Peabo Bryson, "Pretty Women"

Time: Night.

The drama department at the local high school put on Sweeney Todd, the Demon Barber of Fleet Street tonight. The venue was tiny, the set (which my son helped to build) outstanding and the production thoroughly enjoyable.

Imagine my (insert word conveying baffled, bemused anger) when I noticed that the high school girl in front of me was sending and receiving text messages during the second act.

You wouldn't do that on Broadway or the West End. (You wouldn't do it off-Broadway or even off-off-Broadway. You wouldn't even do it during an overblown, check-out-my-acting-for-Jesus production of, say, The Screwtape -- or, if you will, Ska-Rew-uh-Tay-Puh -- Letters.)

I share the belief that you learn how to play a big house by playing a small one -- and I believe that to be true not only for performers, but for what Robert Fripp would call the audients. Practice courtesy and respect for the company in a community theatre, and it will carry over should you ever score tickets to something big. And trust me, the more people pay for a show, the more they're likely to want you tossed out if you're disrespectful and disruptive.

I hope the young texter gets that message.

Here endeth the rant.

Tonight's story: Lord Dunsany, "The Unhappy Body"